Showing posts with label trip-hop. Show all posts
Showing posts with label trip-hop. Show all posts

Friday, 19 June 2009

My concert experience: Tricky + Little Dragon



Park Live Fest is the first festival of its kind in Bulgaria, bringing together names from the electronic scene and reviving the true trip-hop vibe. Introducing such a concept for the first time on the Balkan music scene definitely meant a lot of risk for the organizers and less to no impact. Luckily, there are still plenty of people fond of the good old 90s when MTV was the pedestal of diversity and music was not all about boobs and trunks.

Day 1 was highlighted by the essence of the Bristol scene and the subtlety of the Swedish improvisational expressionism. Tricky on the prowl with his distinctive half-singing half-rapping distinguishable singing and Little Dragon with their surprisingly original performance attitude, brought freshness to the rather stagnant Balkan alt fields. Nevertheless, I should mention that the two main acts were preceded by three other performances, but they did go rather unnoticed. Although Tricky, real name Adrian Thaws, was the one who we all expected I dare say that Little Dragon made the best impression for the whole evening.

Little Dragon began rather vaguely, carefully testing the crowd and after just a couple of songs Yukimi Nagano and company gained confidence and slowly began heating up the audience. They took me by surprise with more up-beat versions of their sole album's tracks, which were rearranged especially for a fast-paced mind-blowing performance, which was entirely based on improvisation. I guess they did realize that Tricky being after them puts the stakes quite high and still they did their best to reach the level of required quality. The audience definitely appreciated Nagano's intriguing voice and her stage presence, as well as the passion Little Dragon's music had in store. Perhaps, people who would rather stick to their genuine style weren't very happy with the significant changes, although this was no wrong move at all.

Tricky...one of the pioneers of the trip-hop genre, who paved the way for the mid to late 90s alt electronic wave, was the one who was expected to blast the scene and be the bad boy of the festival. Indeed, he spent the whole evening doing spliff and passionately gulping drinks, probably heating up for the grand show. So far, so good. Lights off, a sudden turmoil on stage and there you go - Tricky in flesh and bone, performing in front of some 3 thousand people.

The closest link to the godfathers of trip-hop Massive Attack was there for us ready to kick some ass. Hooray! Have I ever told you how much I hate musicians doing drugs and eliminating immense quantities of liquor? I do! Tricky reminded me why! I guess I should excuse him, as this probably is part of his performance, but it poked out my eyes...they were sore and bleeding. What could be more pathetic the singer stoned as a dumb ass or the audience aggravating the situation with their horrific passiveness. I'd go for number two, please. Tricky might have had to struggle through his artistic inadequacy, but the audience obviously needed to cheer up. Sadly chemistry was absent and the vital connection performer-audience was based just on Tricky's reputation. Definitely there were people who went bananas seeing him live on stage, but the majority was there standing coldblooded and clapping as if taking part in a senior fund-raising campaign.

What made things even worse was the apathy that Tricky demonstrated, which made the show look as if he was there for himself and the rest could just fuck off. I, personally, had difficulty swallowing his annoyingly endlessly improvisations, which brought the majority to the edge of patience. In the setlist, probably on purpose, were omitted a great deal of his most famous songs, which brought more tension and dissatisfaction with the audience. Although trying to compensate with several new song arrangement it all crashed and burnt when technical difficulties abruptly interrupted the show. Afterward, Tricky had lost interest and in no time the concert came to its end. His performance ended with Motörhead's "Ace of Spades" and fans invited on stage to rumble with him. Applause! No requests for an encore. We all went home.

Wednesday, 27 May 2009

Review: Flunk - This Is What You Get



Flunk's newest album is what downtempo get this month as an excellent present from Norway. After establishing themselves as one of the best Scandinavian trip-hop bands for the last decade Flunk offers a new portion of music for the body and soul. "This Is What You Get" is their sixth proper studio album and a fine continuation of ther dreampop style with obvious influences of post-rock, shoegaze and blue-eyed soul.

Anja Oyen Vister's voice is as soothing and inspiring as well, exploring the depths of melody through composition and vocal. Despite not being as skillful as Sade Adu or Sarah Brightman, Anja does her best to create the relevant ambiance for a spiritual endeavor in the spectrum of emotions, memories and dreams. "This Is What I Get" most definitely is not the groundbreaking album of 2009, but still is a perfect addition to the an extensive electronic library. While listening to the record you might spot how softly the songs swift, the tempo reaches emotional peaks and there is no confrontation between lyrics and music. A pleasant surprise is the cover of "Karma Police" by Radiohead, which perfectly puts the final touch in the track-list. I really don't like Thom Yorke and company, but the cover is worth the listen and I do believe they've done it very well, preserving the common feeling from the original and still creating a different atmosphere when listening to it.

Even if you are not a true ambient fanatic or an actual fan of Flunk this album, as well as the rest of their material, "This Is What You Get" is actually everything you can really expect from a downtempo trip-hop driven record. Mild, soft and charming it takes all the problems away, teaching us to cherish life as it is and never take anything for granted, even the mere existence.

Songs to hear: "Common Sense", "Ride", "Stain" and "Karma Police"

Personal rating: 7 out of 10



Friday, 22 May 2009

Discoveries: FlyKKiller



I really hated it when I overlook some great stuff and afterward have to shame myself with belated posts and praise, but one cannot hear absolutely everything, which is my excuse...I guess. Luckily the excellent music eventually always reaches my ears and befriends my soul. Such is the case with the Polish-English act FlyKKiller, which is formed by Pati Yang and Stephen Hilton (who are married as well). It was started as a electro-rock project, but it immediately started incorporating elements of trip-hop, dark-electro and alternative pop. Pati Yang is famous for her solo project being the pioneer of trip-hop music in Poland, making the way for loads of Polish alternative projects. The debut album "Experiments in Violent Light" on 1st October 2007 with mainly positive reception by both critics and fans. The duo has already announced their second studio release on its way this year.



Tuesday, 14 April 2009

Stuck in my mind: Goldfrapp - Hairy Trees

Excuse me for this very short post, but today I am just not in the mood for long posts...from time to time have my lows and need some quality songs to fit my mood. That is why now I share with this astonishing Goldfrapp ballad as it tells it all for now! Keep up with me! I hope this mood will pass in no time!


Sunday, 22 March 2009

Discoveries: Leila & Sissy

Today I was recommended these two artists Leila, who is the solo project of the Iranian-born Leila Arab, and Sissy, which is a trip-hop duo from Canada. I guess I've been sleeping quite a lot as I've just found out that Leila had been actively working with the goddess of alternative electronica Björk and now she is spending more time on her efforts in the IDM sphere. Sissy is an analog driven dark trip-hop project, which incorporates the ambiance of Portishead and the mellow drifting of Halou.

I still haven't got the hear full albums by both Leila and Sissy, but from what I have heard so far it is worth giving them a good listen.